Melanie joins Grace Moravian Church for their third annual concert: “Still God’s Grace”. She sings Mozart’s complete Exsultate, jubilate K. 165 and Duet. “Benedictus qui venit in nomine Domini” from Saint-Saëns’ Christmas Oratorio.

Melanie and pianist Andrew Chen perform a world premiere written by composer Justin Weiss. This piece will be the culmination of the summer-long project in which singing artists from the AOTVA program work with composers from the Susan and Ford Schumann Center for Composition Studies to create a brand new piece of music.

Melanie sings as the Soprano Soloist in the world premiere of Samuel Adams’ First Work (AMFS co-commission) with the Aspen Contemporary Ensemble conducted by Timothy Weiss.

Melanie will cover the title role in the World Premiere of Christopher Theofanidis’ and Melissa Studdard’s Siddhartha, She, directed by Anne Patterson and conducted by Robert Spano.

Melanie and pianist Andrew Chen perform Alan Smith’s “Vignettes": Letters from George to Evelyn”, Prologue and Mvt. 1 “Stationed in Europe”. This program of art song will be directed by Myra Huang and Cameron Stowe.

Melanie performs on the annual 2025 AOTVA Opera Benefit hosted by Renée Fleming and Patrick Summers. She sings selections by Bernstein, Puccini, and Offenbach alongside Guest Artist Isabel Leonard.

Melanie performs scenes as Rodelinda in Handel’s Rodelina and Marie in Donizetti’s La Fille du Régiment directed by Renée Fleming and Patrick Summers.

Melanie sang the role of Musetta in a read-through of Puccini’s La Bohème at Church of the Village conducted by Felix Jarrar

Melanie performed in a concert of arias with other VOICExperience alumni and guest artists.

Melanie sang the Queen of the Night’s rage aria as a part of The Metropolitan Opera Education Department’s series, “Discovering Opera Through Creative Play.”

Melanie competed in the Eastern Region Finals of the Metropolitan Opera Laffont Competition after having won the New York District in November.

Melanie competed and won the New York District of the Metropolitan Opera Laffont Competition.

Melanie sang the roles of Chocholka and Mrs. Pásek in Detroit Opera’s production of The Cunning Little Vixen under the baton of Roberto Kalb and direction of Yuval Sharon.

Melanie sang the roles of Chocholka and Mrs. Pásek in Detroit Opera’s production of The Cunning Little Vixen under the baton of Roberto Kalb and direction of Yuval Sharon.

Melanie sang the roles of Chocholka and Mrs. Pásek in Detroit Opera’s production of The Cunning Little Vixen under the baton of Roberto Kalb and direction of Yuval Sharon.

Melanie performed as a soloist in Detroit Opera’s production of John Cage’s Europeras & 4 under direction of Yuval Sharon.

Melanie performed as a soloist in Detroit Opera’s production of John Cage’s Europeras & 4 under direction of Yuval Sharon.

Melanie performed as a soloist in Detroit Opera’s production of John Cage’s Europeras & 4 under direction of Yuval Sharon.

Melanie performed the role of Bubikof in Ullman’s Der Kaiser von Atlantis with the Detroit Chamber Winds and Strings along with other members of the Detroit Opera Resident Artist program.

Melanie covered the role of Donna Anna in Opera Tampa’s production of Mozart’s Don Giovanni.

Melanie covered the role of Donna Anna in Opera Tampa’s production of Mozart’s Don Giovanni.

Melanie sang the role of Fiordiligi in the Act 1 Finale of Mozart’s Cosi fan tutte with Detroit Opera’s “Arias and Overtures” concert.

Melanie sang the role of Donna Anna in the Savannah VOICE Festival’s production of Mozart’s Don Giovanni.

Melanie performed as the soprano soloist in Orff’s “Carmina Burana” with the Wayne State University Wind Symphony and Choirs at the Detroit Symphony’s Orchestra Hall.

Melanie covered the role of Margarita Xirgu in Golijov’s Ainadamar with Detroit Opera.

Melanie covered the role of Margarita Xirgu in Golijov’s Ainadamar with Detroit Opera.

Melanie covered the role of Margarita Xirgu in Golijov’s Ainadamar with Detroit Opera.